Church Grounds Pieces

Fragments of broken stones in the Church Grounds section.  If you aren't following it already, please see my companion blog focusing on this historic area of the Rural Cemetery and the people buried there.

The Albany Church Grounds

Col. Lewis O. Morris

This stained and tilting marble gravestone stands in one of the most secluded corners of the South Ridge.  Located a few lots east of the large McIntyre plot, it is perched on a narrow hill which overlooks the old site of Consecration Lake.  In the distance, at the far left of the photo, there is a glimpse of the Witt crypt on the other side of a narrow ravine that splits off from the larger Moordanaers Kill ravine.

The front of this urn-topped monument features a shield-shaped tablet with a cross above it.  The top edge of the tablet is carved with a sword and tassels.  The inscription reads:  Col. Lewis O. Morris, U.S.A., Born Albany, N.Y. August 14, 1824.  Killed At Cold Harbor, VA, June 4, 1864.

If the name of this Civil War soldier seems familiar, it is because his father, Major Lewis M. Morris, was at Monterey during the Mexican War and was given one of the largest funerals in Albany's history.  The elder Morris lies buried on the Middle Ridge and his grave is marked by a magnificent brown sandstone monument. 

A Handful of Leaves

Dry leaves collect in the hands of an angel on the South Ridge near the edge of Moordanaers Kill.

Charles Calverley

Anyone who has strolled or driven through Washington Park has seen the handsome Robert Burns monument with its bronze statue of the Scottish poet and four plaques depicting scenes from his works.   The Burns memorial, one of the Park's landmarks, was created by Albany sculptor Charles Calverley.

Calverley was born in Albany in 1833 and, at the age of thirteen, he apprenticed to local stonecutter John Dixon.  Dixon's workshop produced a number of monuments for the Albany Rural Cemetery, including that of the Strain family and local publisher Jesse Buel, as well as architectural elements and marble mantels.

In 1853, Calverley's work in Dixon's shop caught the attention of Erastus Dow Palmer.  After seeing a rose carved by the twenty-year old, the sculptor bought out the remainder of Caverley's apprenticeship and brought him to work in his own studio.

In 1868, Calverley opened his own studio in Manhattan at Fourth Avenue and 25th Street.  Working in both marble and bronze, he created numerous busts, bas-reliefs, and medallions, with the occasional full-length statue or cameo.  He did several commissions for monuments in Brooklyn's Green-Wood Cemetery, including busts Horace Greeley and Elias Howe.  Another well-known Calverley piece in Green-Wood is Precious Georgie, a touching marble portrait of a four-year old boy who died of scarlet fever.

In Albany Rural Cemetery, he also created Meditation, the exquisite bronze statue on the monument of Doctor Jephta Bouleware (see photo below) and a beautiful portrait medallion of Ann Elizabeth Brown Wiles.

Calverley died in 1914.  His family plot on the South Ridge contains four examples of his work.  The main monument is topped by a bronze bust of the sculptor (a self-portrait) and the bas-relief on the front is a likeness of his wife, Susan Hand.  Behind the main monument, a second granite monument contains medallions of the sculptor's mother and his brother, John, who died of illness while serving in the Civil War.

 

Below:  Detail of the Boulware monument:

The Lockwood Family

This beautiful marble with a carved pall draped over its top and three delicate roses marks the graves of the Lockwood family of Albany.

Alvah M. Lockwood, a founding member of Albany's Burgesses Corps, died at the age of twenty-four on February 10, 1835 and was buried in the Dutch Reformed lot at the State Street Burying Grounds.  He was survived by his wife, Sarah, and young daughter, Alvah Ann.

Early on the morning of September 5, 1852, the boiler on the steam boat Reindeer caught fire and exploded near Saugerties.  Three dozen passengers were killed, either instantly or later from severe burns or other related injuries.  Among the passengers were Sarah Lockwood who the same day at the age of forty and Alvah Ann who died of her injuries on September 11.  A John Lockwood of Albany, most likely the brother of the late Alvah M., was also aboard the steam boat, but survived the disaster. 

The bodies of the two women were returned to Albany and interred in the Albany Rural Cemetery along with Alvah M. Lockwood whose remains were transferred from the State Street Burying Grounds to this North Ridge hilltop.

The inscription on the monument mentions the Reindeer tragedy and, near the bottom, it reads They sleep, but I do not forget them.

The Lockwood graves are located near the Strain family plot.

Frederick Hinckel

This stately figure of Hope stands facing Cypress Water on the South Ridge.  It marks the grave of Frederick Hinckel and his family. 

Hinckel's name is familiar to anyone with an interest in the history of Albany's many breweries.  With a partner, he founded the Cataract Brewery in 1857.  It was originally named for its location overlooking Buttermilks Falls (now a part of the sewer running through Lincoln Park's ravine).  Hinckel bought out his partner and changed the brewery's name.  In 1880, he built a complex of handsome brick buildings to house the business which was said to be one of the best equipped breweries in the United States.  The old brewery still stands across from Lincoln Park and has been converted into an apartment building.

Albany was once famous for its numerous breweries and there was obviously good money in the business as their owners were buried beneath some of the finest monuments in the Rural Cemetery, including this one in one of the most expensive sections and the elaborate Boyd marble on the Middle Ridge.

The Young Double Stone

This stone, lying flush with the earth on the Middle Ridge, is one of the most distinctive.  Cut from a dull blue-gray slate, this double stone features two wonderful examples of New England gravestone art and has an interesting family story as well.

The stone was carved by William Young, known to gravestone historians as "the thistle-carver" since he often incorporated that plant into his designs.  This stone does not include any thistles, but does feature a pair of William's distinctive bewigged heads with their prominent noses, small mouths, and staring eyes.  William's work was almost exclusively confined to the area around Worcester, Massachusetts so finding one such as this here in New York is extremely unusual.  In fact, a bit of carving at the bottom of the stone indicates that this was actually removed from Worcester in the early 1870s.

This stone was carved by William Young to mark the graves of his father and grandfather, originally located in Worcester's Commons burial ground.  The neatly lettered inscription reads:

Here lyes interred the Remains of John Young who was born in the Isl of Bert near Londonderry in the Kingdom of Ireland.  He departed this life June 30th, 1730, aged 107.

Here lyes interred ye Remains of David Young, who was born in the Parish of Tahboyn, County of Donegall & Kingdom of Ireland.  He departed this life Decemb'r 23rd, 1776, age 94.

As one can see from the inscription, John Young and his son David lived exceptionally long lives.

John Young immigrated from Ireland to Massachusetts at the age of ninety-five, bringing with him a family that included his son, David, and David's son, William.  The Young family settled near Worcester as farmers, but William would later be described as gentleman squire.  Well read, his personal library included six law books, six history books, six science books, eighteen on religious matters, one of poetry, and seven school texts. He would serve as the town Surveyor and a Justice of the Peace.  Carving gravestones was apparently only a side job for him, but he was certainly an active carver; the Farber Gravestone Collection contains photographs of numerous stones attributed to him, including the John and David Young double stone.

The John & David Young stone in the Farber Gravestone Collection

The Young monument came to Albany Rural Cemetery in 1873 when a descendent had it removed to a family plot here.  Unfortunately, when the stone was removed from its original site, the homespun epitaph at the bottom - presumably composed by William - was cut away.  The missing portion once read:

The aged Son and the more aged Father Beneath this stone their mouldering bones here rest together.